Gautam further added that Dhoni is not as attacking as he used to be and it is better for him to bat up in the order and set his eyes on the ball. Yes, there are issues in their bowling line up." You can't be leading, when you're batting at No.7. We keep mentioning this thing that a leader needs to lead from the front. Speaking on Star Sports show Cricket Live, Gambhir said, "MS Dhoni should be batting higher, that's what matters because ultimately people should start leading from the front. His side lost the game despite setting up a target of 189 as Shikhar Dhawan (85) and Prithvi Shaw (72) provided a flying start to the side and stitched a 138-run stand for the opening wicket. And for Suresh Raina, I would like to dedicate the song 'Mangta Hai Kya', because whenever I went to Bangalore, they were listening to a lot of songs from Rangeela."Įarlier in the day, former India batsman Gautam Gambhir said that Dhoni should bat at number four or five and not below that for his side.ĭhoni generally comes in to bat at number 7 and in the first game against Delhi Capitals he failed to get going and got out for a two-ball duck.
Beqas Pe Karam Kijiye from Mughal-e-Azam has it – “Lillah meri doobti ko kashti ko bacha le” (Rescue my sinking boat”), as do numerous bhajans.Speaking on Star Sports show Cricket Live, Rahman dedicated songs to CSK stars Dhoni and Raina, "I would like to dedicate the song 'Chale Chalo' from the movie Lagaan to MS Dhoni, as it motivates people to play cricket together. ‘Life as a stormy ocean’ is a universal trope in devotional music, across faiths. In Chalo Bulawa Aaya Haifrom Avtaar, a couple travels to the shrine, again for an ailing child, hoping the goddess will save his life.
The journey to her abode is a trial in itself and a metaphor for penance, making the devotee’s prayers especially fervent. But the goddess as Vaishno Devi is particularly sought out in a crisis. The garba-dandiya songs, like the one to Ma Sherawali from Suhaag, remain popular to this day. It is the season of celebration of the Mother Goddess, and dozens of paeans have been sung to her many forms. The father’s solitary distress – “Mere dukh se tu kaise anjaan rahe” (You must surely know my sorrow) – and his little Ganpati idol are juxtaposed against the crowd’s joyous refrain of “Ganpati Bappa Morya” and the enormous idols that swirl around him as they are taken to be immersed in the sea. Play Manamohana Bade Jhoothe, Seema (1955).Ī particularly poignant song, in which a father pleads for help for an ailing daughter, is Mere Man Mandir Mein from Dard Ka Rishta, scored by RD Burman and sung by Hariharan. A visit to North Sentinel island: ‘Please, please, please, let us not destroy this last haven’.